![]() ![]() BG cantata number = BWV number of the cantata): Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following BG for the collation (e.g. In 1950 the Bach-Werke-Verzeichnis was published, allocating a unique number to every known composition by Bach. For instance the 1740s version of O Jesu Christ, meins Lebens Licht was published in NBG XVII 1 in 1916 (the 1730s version of the same piece, with a different orchestration, had been published in BG 24, pp. 185–192). Occasionally however the NBG published newly discovered works, or variants not published in the BGA. The BG was succeeded by the Neue Bachgesellschaft (NBG), with a new set of goals (Bach yearbook, Bach festivals, and a Bach museum). In 1900 the BG published its last volume, and dissolved itself, as its primary goal, publishing all of Bach's known works, was accomplished. Harvey Grace's in a 1922 book on Bach's organ compositions). giving rise to various conversion tables at the end of books on Bach's compositions (e.g. īut there was still a lot of confusion: some authors preferred to list Bach's works according to Novello's editions, or Augener's, or Schirmer's. 173" for the above-mentioned Prelude in E-flat major), and Terry used it in the third Appendix to his 20th-century translation of Forkel's biography. This offered a unique identification of all of Bach's known works, a system that was quickly adopted, for instance by the biographers: Philipp Spitta used it complementarily to the Peters edition numbering for the BG volumes that had appeared when he was writing his Bach-biography in the second half of the 19th century (e.g. In the second half of the 19th century the Bach-Gesellschaft (BG) published all of Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA). 44, over eighty years before it got the number 857 in the Bach-Werke-Verzeichnis The Prelude in F minor of The Well-Tempered Clavier book 1, in the BGA known as Vol. 1", or any of the variants (" Griepenkerl and Roitzsch Vol. So, for example, the Prelude and Fugue in E-flat major can be indicated as " C. In the first half of the 19th century more works were published, so the next biographies (Schauer and Hilgenfeldt in 1850) had more elaborate appendices listing printed works, referring to these works by publisher, and the number or page number given to the works in these publications. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same approach: its ninth chapter first lists printed works (adding four-part chorales which had been published in the second half of the 18th century), followed by a rough overview of the unpublished ones. For instance, his obituary contains a list of the instrumental compositions printed during the composer's lifetime, followed by an approximate list of his unpublished work. Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. ![]()
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